Anger and Sadness

A bit of a personal post today.  Bear with me. It hasn’t been a good year. I suspect a lot of people can relate with that feeling in general; for me it’s been a pretty steady grind with very few (highly cherished) bright spots. It’s been an extended exercise in coping, and staying not just functional but managing to excel in what I can despite it all. I’ve basically had most of what I used to consider my identity removed and don’t have a lot to replace it, paired with an uncertainty about my future that colors pretty much every decision I make. As of this writing, none of the likely outcomes look great; I’m basically hoping that in the next couple of months, something changes from what I’ve been doing for the last 18+. Friends and family ask me how I’m doing, and for months it’s been pretty much the same answer: no change. I appreciate the sentiment, but rehashing my situation over and over doesn’t make me feel better about it. It’s not something I bring up, because I value my friends and family greatly and I know how much it sucks to have someone close to you suffer and be able to do nothing about it. You want to talk, you want to do something, but there’s nothing you can contribute so you’re relegated to making sympathetic sounds and looking sad, or if those gestures feel hollow, making any recommendations you can think of. As much as I don’t like being on the receiving end of any of that, I don’t really know how else to respond. Someone asked me a different question, recently. I was asked “how are you coping?”, and when I responded with the usual “oh, you know, as best I can” the followup was pointed: “No, I mean what are you doing to cope, how are you mentally handling everything?” It’s an interesting question, and one that had been riding in my subconscious for a while. It’s a question I appreciate, because it’s something I can articulate, and it doesn’t feel like the same circular thrashing of “things are bad, I don’t know what else I can do to make them better”. As a followup, my friend mentioned that I haven’t been posting here as much anymore– my reasoning was that I don’t trust my mental state enough to stay objective about the things I write; maybe that isn’t so healthy. So, here we are. Here’s the answer I gave about how I cope with stress: I’m a very results-driven person. It’s a core that runs deep, something I’ve inherited from my parents. Being overwhelmed by stress and completely shutting down isn’t productive, it’s a response that, however powerful, runs counter to the fiber of my being; even my subconscious won’t let me do it. This would probably boil over if I didn’t have really great release valves built in somewhere. I developed release valves in martial arts. I started my martial arts training as The Fat Kid; I couldn’t even complete warm-ups without being exhausted, and I was in the same space as others who completed the same exercises without breaking a sweat. Pair this with the fact that failure has never been acceptable for me, and you’ve got a stressful experience waiting to boil over. My instructor keyed in on this and focused on it, he first taught me to redirect that stress into motivation, watching to make sure I got better at it. I was eventually in good shape, which is when the real training began. My instructor would occasionally provoke me, try to get through my usual emotional wall, to provide motivation. Knowing I could react in anger and lash out was never in question for me, I just had too much self-control to ever let myself do it, and I avoided ever coming close. I tamped down my negative emotions to an extreme, and tightly channeled them through very controlled channels, if at all. Flash forward to undergrad, where I had my first taste of failure. Going from breezing through high school to the much more intense and rigorous curriculum of a very competitive college was a shock, and not one I emerged from unscathed. At the time, I had it suggested to me that I should consider dropping out, that maybe my chosen school was too hard for me, and that, perhaps, I had bitten off more than I could chew. I think part of me was despondent, ready to give up and give in just so the stress would end, but another part of me was enraged. I was angry at myself for failing, angry at the suggestion that I might not be good enough, angry at the obstacles in my way, and years of martial arts training kicked in. Of the two emotions I was facing, one of them felt productive and one of them didn’t. I channeled white-hot anger into my studies for a year and brought my GPA up nearly two full points, and graduated on time. Anger is probably a misleading word; it has a lot of negative connotation. I could also use “passion” to describe it, passion for myself, passion for self-actualization, passion for growth, passion for my interests and motivations. I see anger and passion as not terribly different, and useful but needing to be kept under control. I’ve gotten good at controlling it. For myself, when faced with apparently insurmountable difficulty, I can see despondency and passion looming on the horizon, and of the two, passion is productive and it’s something I know how to channel. It gives me energy and drive to push through, and it sublimates well into excitement and joy when I do finally push through. It’s not without cost; without good outlets for energy it tends to build, and I tend to retreat from people and things when it does, because I know it’s sitting closer to the surface and can be provoked more easily. When I’m stressed and don’t have an energy outlet (like work), I tend to avoid putting myself in more stressful situations because I want to minimize that buildup of energy, and because I don’t want spillover to affect anyone around me. I don’t want to snap at people, and when I’m extremely stressed and can’t do anything about it, I’m aware my tight controls are weaker, so I try to avoid situations where I might snap. I cope with stress by channeling it, and I tend to keep a few side projects going at all times to have outlets. What I’m starting to run into lately is that those side projects feel meaningless and arbitrary in the shadow of my actual situation, so putting time and energy into them doesn’t help. Also not helping is the rest of this year, everything going on that isn’t directly part of my day-to-day life that’s just a massive garbage fire. I try not to watch the news but it’s difficult to avoid. I’m not really sure how this ends. I can maintain, for now. I can probably maintain for as long as the idea of quitting just makes me angry, and want to try harder. Maybe that’s enough. Maybe that’s just what “perseverance” is.

AggroChat #129 – Deckbuilding MMO Design

Tonight Ashgar, Belghast, Grace, Tam and Thalen Discuss Diablo rumors, Overwatch Co-Op, Master Catching Games, and Guild Wars Deckbuilding in MMOs

aggrochat129_720

Tonight we have another in a long line of shows where we go into it not really having a clue what we are going to talk about… then wind up discussing topics for a couple hours.  This week we start off talking about Diablo… the largely forgotten Blizzard game and the beginning of Season 8.  We then veer off into tinfoil hat territory as we talk about some of the popular rumors surrounding Diablo 4.  We talk about how much we are enjoying the new Co-Op PVE mode in Overwatch, and how we wish it was a permanent addition.  We also shift course into a discussion about how games seem to have an obligatory e-sports friendly design these days.  We also discuss our recent progress in the World of Warcraft Emerald Nightmare raid, and now much we are looking forward to Karazhan landing this coming week.  Finally we get into a lengthy discussion about the deckbuilding style of MMO design, namely with Guild Wars, Guild Wars 2, Secret World and to some extent Rift.

Topics Discussed – Diablo 3 Season 8 – Diablo 4 Tinfoil Hat Theories – David Brevik – Bill Roper – Co-Op Overwatch – Designing For E-Sports – Co-Op Gameplay – Pokemon Sun and Moon Demo – World of Final Fantasy Demo – WoW Emerald Nightmare Raid – Guild Wars 1 Ability System – Deck Building MMOs

Cinematic Universe 2.0

Worldbuilding is kind of my jam. As entertainment media has shifted away from the Stories As Told By A Storyteller model to something a bit more ephemeral and interactive, I feel like worldbuilding is more important than ever. I remember writing research papers on the move from narratives that were entirely about characters to the idea of introducing an entire world with its own rules and concepts. It’s a surprisingly recent shift, as far as the whole of human storytelling goes.

Cinematic Universe 2.0

I’m also fascinated by big shifts in media development. The Marvel Cinematic Universe shifted the entire concept of the “summer blockbuster” from throwaway fun to a surprisingly deep, interconnected web of movies and shows that all link up. The biggest issue the MCU is dealing with right now is audience fatigue– people are getting a little tired of superhero movies dominating the scene. It makes the reintroduction of Star Wars so relevant, especially since it’s really apparent that we’re going to see a Star Wars Cinematic Universe in much the same vein as its Marvel precursor.

What I find interesting about this is the postmortem of the MCU– it’s obviously not finished yet, but there’s an interesting question about what lessons have been learned from the MCU’s arc– specifically, what is Star Wars going to do differently? Rogue One hints at this– it’s essentially a war movie set in the Star Wars universe, and I think it speaks to a bit of playing with genre within the setting. It’s a strong differentiator, since most of the Marvel movies follow the same theme of “superhero-action films” which likely drives audience fatigue. It’s entirely possible that we’re going to start seeing a lot of Star Wars movies in entirely different genres.

While it hasn’t been done before, the idea of a Star Wars war movie makes conceptual sense, and on the extreme other end, a Jedi-heavy movie structured like a martial arts film would also fit the setting, while being a heavy genre departure. There are a lot of possibilities, and the setting is big and varied enough to support a lot of them– a crime procedural, a disaster movie, a romance (read Lost Stars for an example), even a horror film could all work within the setting pretty easily. If you’re anything like me, you’ve probably thought of the appropriate in-universe proper nouns that would go with all of the above.

I think that one of the big things that’s going to be important is figuring out all of the things that cause audience fatigue and working against them. Certainly they’ll have to do away with the classic opening crawl sooner than later, or it’ll become a tired trope very quickly. Character cameos will also need to be curtailed or kept to a minimum, lest the universe feel too small to fit all of these stories. I think Rogue One does a smart thing by emphasizing its unique title and not that it’s a Star Wars movie.

Furthermore, I suspect we stop seeing numbered “mainline” Star Wars movies after Episode IX, and a shift into a more disparate, more spread out series of movies rather than everything working towards a singular plot arc. It creates a lot of space for other media– comics, video games, TV shows, etc and allows the same experimentation that the MCU heralded with less risk of a single disliked offering bringing the entire thing down.

This might be my own bias talking– I checked out of the MCU because I find Captain America boring and eye-rolly, so I missed literally everything to do with Hydra. Essentially, two movies: the specifically Captain America one and Winter Soldier. Not wanting to spend the time with that section of the property meant that I found it hard to get into parts of Civil War (and disliking Captain America even more), and it left me uninterested in the MCU as a whole.

Star Wars can avoid this kind of outcome because it can separate its movies by genre and exclude entire portions of the setting without jeopardizing the setting. It’s entirely possible to have a Star Wars movie without Jedi, for example, or one that is entirely Jedi, and neither diminish the other. There’s even the possibility of setting up some unreliable-narrator stuff by having characters disbelieve the events of other movies– there’s already precedent for it in the original trilogy. It means that the audience can cherry-pick the parts of the cinematic universe that they like and skip the parts they don’t without necessarily being left behind by the whole.

Long story short, I’m really interested to see what happens in the next few years of Star Wars movies, and how they map to their Marvel predecessors.

Cinematic Universe 2.0

Worldbuilding is kind of my jam. As entertainment media has shifted away from the Stories As Told By A Storyteller model to something a bit more ephemeral and interactive, I feel like worldbuilding is more important than ever. I remember writing research papers on the move from narratives that were entirely about characters to the idea of introducing an entire world with its own rules and concepts. It’s a surprisingly recent shift, as far as the whole of human storytelling goes.

Cinematic Universe 2.0

I’m also fascinated by big shifts in media development. The Marvel Cinematic Universe shifted the entire concept of the “summer blockbuster” from throwaway fun to a surprisingly deep, interconnected web of movies and shows that all link up. The biggest issue the MCU is dealing with right now is audience fatigue– people are getting a little tired of superhero movies dominating the scene. It makes the reintroduction of Star Wars so relevant, especially since it’s really apparent that we’re going to see a Star Wars Cinematic Universe in much the same vein as its Marvel precursor.

What I find interesting about this is the postmortem of the MCU– it’s obviously not finished yet, but there’s an interesting question about what lessons have been learned from the MCU’s arc– specifically, what is Star Wars going to do differently? Rogue One hints at this– it’s essentially a war movie set in the Star Wars universe, and I think it speaks to a bit of playing with genre within the setting. It’s a strong differentiator, since most of the Marvel movies follow the same theme of “superhero-action films” which likely drives audience fatigue. It’s entirely possible that we’re going to start seeing a lot of Star Wars movies in entirely different genres.

While it hasn’t been done before, the idea of a Star Wars war movie makes conceptual sense, and on the extreme other end, a Jedi-heavy movie structured like a martial arts film would also fit the setting, while being a heavy genre departure. There are a lot of possibilities, and the setting is big and varied enough to support a lot of them– a crime procedural, a disaster movie, a romance (read Lost Stars for an example), even a horror film could all work within the setting pretty easily. If you’re anything like me, you’ve probably thought of the appropriate in-universe proper nouns that would go with all of the above.

I think that one of the big things that’s going to be important is figuring out all of the things that cause audience fatigue and working against them. Certainly they’ll have to do away with the classic opening crawl sooner than later, or it’ll become a tired trope very quickly. Character cameos will also need to be curtailed or kept to a minimum, lest the universe feel too small to fit all of these stories. I think Rogue One does a smart thing by emphasizing its unique title and not that it’s a Star Wars movie.

Furthermore, I suspect we stop seeing numbered “mainline” Star Wars movies after Episode IX, and a shift into a more disparate, more spread out series of movies rather than everything working towards a singular plot arc. It creates a lot of space for other media– comics, video games, TV shows, etc and allows the same experimentation that the MCU heralded with less risk of a single disliked offering bringing the entire thing down.

This might be my own bias talking– I checked out of the MCU because I find Captain America boring and eye-rolly, so I missed literally everything to do with Hydra. Essentially, two movies: the specifically Captain America one and Winter Soldier. Not wanting to spend the time with that section of the property meant that I found it hard to get into parts of Civil War (and disliking Captain America even more), and it left me uninterested in the MCU as a whole.

Star Wars can avoid this kind of outcome because it can separate its movies by genre and exclude entire portions of the setting without jeopardizing the setting. It’s entirely possible to have a Star Wars movie without Jedi, for example, or one that is entirely Jedi, and neither diminish the other. There’s even the possibility of setting up some unreliable-narrator stuff by having characters disbelieve the events of other movies– there’s already precedent for it in the original trilogy. It means that the audience can cherry-pick the parts of the cinematic universe that they like and skip the parts they don’t without necessarily being left behind by the whole.

Long story short, I’m really interested to see what happens in the next few years of Star Wars movies, and how they map to their Marvel predecessors.