Books

Welcome back for another reading challenge post. This time I got to read one of my all-time favorite books, so my review might be a little biased. It’s Rendezvous with Rama by Arthur C. Clarke, first published in 1973.

As I work my way through this reading list, every time I get to a book I have read before and remember enjoying I get a little worried. Will I still like it? Does it hold up well? Is this re-read going to make me hate something beloved from my childhood? Luckily for me this time, Rendezvous with Rama is just as amazing as I remembered.

Some books I enjoy because of the characters, others because of the intricate worldbuilding. Rendezvous with Rama I love because it is a beautiful thought experiment. The book is about humanity’s first encounter with aliens. Or rather, with an alien artifact. Dubbed “Rama”, a huge cylindrical spacecraft passes through the solar system, and there’s a rushed scramble to mobilize an expedition. The closest vessel gets conscripted for this task, and have to do their best to gather as much information about Rama as they can before it travels on its way past our sun.

Rama is a fascinating enigma. There’s no explanation of where it is from or why it came. When the expedition gets inside, there’s no reception waiting for them, just an inside-out world full of more questions. The place is so alien that when the explorers finally run into “creatures”, they aren’t even sure if they are animals or robots. Then, just as they finally discover a tantalizing archive of alien artifacts, they have to leave Rama or risk being carried too far away to return safely.

There’s a few moments of tension, with threats from people afraid that Rama might be a weapon, and from the spaceship itself. Mostly, however, the book is content to simply lay out the curiosities of the alien vessel for the reader to consider. It works because the idea of it is so intriguing. The biggest failing is that the characters are not very developed. The crew do their jobs with little conflict beyond good-natured competition over who gets to explore new things first. It’s honestly exactly what you would want from humanity’s first expedition to an alien artifact, even if it doesn’t make for dramatic reading.

The end leaves your head full of questions in the best possible way. Yes there are several sequels, although my understanding is they were mostly written by Gentry Lee with some input from Clarke. I remember enjoying them too, although I suspect they won’t stand up nearly so well to a re-read. For now I like the purity of Rendezvous with Rama. I truly can’t recommend this novel highly enough.

TL;DR: An alien spacecraft passes through our solar system, and leaves behind more questions than answers. One of my all-time favorite books.

Time for yet another reading challenge entry. This one took me a while, for several reasons, not the least of which is its 700+ page length. This entry is The Kushiel’s Legacy series by Jacqueline Carey. As usual I only read the first book of the series to meet my challenge goal. That was Kushiel’s Dart, published in 2001.

I have many mixed feelings about this book. My enjoyment of it and level of engagement varied wildly from one chapter to the next. Since this book had quite a lot of chapters, this makes writing a review very difficult. I will do my best!

The story follows the life of Phèdre nó Delaunay. At a young age her parents sell her into indentured servitude. Initially the red mote in her eye is seen as a flaw that makes her unfit to become a high-ranking courtesan. However it is eventually revealed that the flaw is actually “Kushiel’s Dart”, a religious sign marking her as an “anguissette”, a prized sexual masochist.

Yes, in “fantasy France” (Terre d’Ange) where the novel is set, sexual ability is highly valued and compatible with their faith. Phèdre’s childhood is spent preparing her for a life of religiously-motivated servitude and prostitution. The children sold this way were not used for sex until they came of age, but they were told constantly that prostitution was a life of holy work and trained in submission and in sexual techniques. You might see now why I had a very hard time getting into this book. There are some aspects of this culture that seem really great. For instance, the full spectra of sexual orientation and sexual preferences are openly accepted. For me, though, “love as thou wilt” was never enough to offset the idea of children being bought and sold for this kind of life.

Once Phèdre is old enough to leave the training house (but before she comes of age) she enters the service of Anafiel Delaunay, who purchased her contract. He trains her in the ways of court intrigue in addition to her other talents. When she is finally old enough to start her work, her real job is to get her patrons to give up their secrets while they are using her body. Individual readers might love or hate this part of the book, depending on their own preferences, because the plot is heavily interspersed with graphic scenes of sexual torture. I would have found it distracting, but I didn’t care much about the plot at that point anyway.

For better or worse, immediately after Phèdre earns enough money to pay off her debt and become free tragedy strikes. Delaunay is murdered, along with his entire household, and Phèdre is given into true slavery to a tribe of Skaldi barbarians threatening Terre d’Ange’s borders. Where earlier Phèdre at least had some agency and a say in which clients she would take, now even that is stripped away. During this time, however, she discovers the extent of a plot that involves conspiracy between nobles from her homeland and the barbarians to overthrow the queen and take over Terre d’Ange.

The last major section of the book involves Phèdre and her bodyguard escaping, warning the queen, and then seeking a way to defeat the Skaldi with outside aid. Even though this section is filled with grim war, at least Phèdre is finally free to be her own person. The military strategies and political intrigue were mostly lost on me though, because I wasn’t invested enough at the start of the book to pay attention to who all these lords and houses were.

Overall my opinion is mixed. There were times, especially in the first half of the book or so, that I was ready to quit reading it completely. Looking back from the end, I guess I’m glad I finished it so I could at least see the ways in which it got better. It was very long, and I would not say I liked it, exactly, but once it finally got going it did tell an interesting, suitably epic story. I wish the premise and world-building had not been so problematic, I might have actually enjoyed the tale.

TL;DR: Alternate-Europe, low-magic political intrigue fantasy with an extra heaping helping of sex up front and war at the end. Depending on your personal tastes this book might be engaging and sexy or it might be completely off-putting.

I’m still a bit behind posting these challenge entries. I’ve been reading them faster than I’ve been writing my reviews. This entry is The Dispossessed by Ursula K. LeGuin, first published in 1974.

I suspect this book is pretty polarizing. It is a utopia, and it pokes very hard at some sore spots regarding personal liberty, capitalism, and gender equality, among others. It feels extremely topical. I imagine it must have seemed completely revolutionary at the time it was released.

The story largely takes place on a planet called Anarres, with some interludes on its sister planet Urras. Anarres is essentially an isolationist colony established by anarchist revolutionaries from Urras. The social structure and values feel somewhat reminiscent of the communes of the 60’s and 70’s. People are encouraged to pursue what they like in life, while also strongly valuing sharing, and providing service to the greater community. There is no concept of property or ownership. Everything is communal, and while life can still be hard at times, overall people can expect that their basic needs will be met.

The main character is Shevek, a physicist who is developing a type of grand unifying theory of spacetime. The plot bounces around in time, but covers his life from his childhood onward. He’s driven to work on his theory his whole life, even when he’s assigned to do other work at times. He believes that it should be shared with their sister planet and with the other known aliens, for the benefit of all. When he realizes that his work is being stifled on Anarres, in spite of their supposed freedoms, he decides to travel to Urras.

Le Guin very cleverly avoids the major issue of utopia stories, namely that they are too perfect and either boring or unrealistic. Anarres is shown to have plenty of faults. The society gets strained because life is difficult on the harsh planet and poor weather leads to famine and suffering. Also, for a society that supposedly values freedom, there are a lot of systems and power structure in place that constrain people’s actions. Still, this is all shown against the backdrop of their sister world, which is much more similar to our own. The capitalist, misogynist, militaristic culture is often baffling to Shevek. In that light, Anarres shines very brightly even with its flaws. This isn’t one of those stories that looks like a utopia but turns into a dystopia. I was left feeling more optimistic than not.

I think perhaps my biggest problem with this book is that it left me wanting more. I was excited and anxious to see what happened when Shevek got back home. Instead, the book ends just shy of that and I wasn’t expecting it. I wanted more! In retrospect it is a perfectly reasonable place to stop, and it forced me to look back over the events of the story and really think about what might happen instead of spelling things out for me. Overall it was a great read that challenged me and made me think.

TL;DR: A well-constructed sci-fi utopia that gave a lot of great food for thought about our priorities as a society and how we could do better.

It’s time for a reading challenge entry again! It is amazing how much faster I am going through these when I actually enjoy the books. Today I’m discussing Something Wicked This Way Comes by Ray Bradbury, first published in 1962.  This one definitely caught me off guard, but in a good way.

I was not prepared for this book.

I had some vague recollections of the plot from the movie, which I hadn’t seen in decades. I remember liking it as a kid but I don’t know how well it would hold up now. Especially after reading the source material. I’ve read my share of creepy and horror novels, from classics like Lovecraft, staples like King, to more current offerings. I’m by no means an expert, or even an enthusiast, really, but I figured I’d seen enough to know how I feel about them, and how they make me feel. But while zombies still give me nightmares and clowns are freaky no matter what the context, nothing I had read before really prepared me for the unsettling creepiness of this book. I think it is largely because it reads like a poem that reads like a story. Bradbury isn’t just telling a tale, he’s excavating it out of some dark secret place in the earth and weaving it with the nightmare dust from your subconscious. It is on an entirely different level from his work in The Illustrated Man. Regardless of the plot or the characters, the feeling evoked by reading this book was a strong enough experience for me that it justified its placement on this “Top 100″ list.

The story follows two kids, Jim and Will, as a creepy carnival rolls into their mid-western town in the middle of the night. They eventually discover that there’s something rotten with the hall of mirrors and the carousel and the freak show. As they start to uncover what is going on, the carnival becomes aware of them, and starts trying to distract them, entice them, and eventually stop them from disrupting their plans. If that sounds slightly cliched it’s probably because so many other authors have paid tribute to this book over the years.

I’m going to avoid more details because I would honestly suggest you just read it if you are interested at all. This book is about the nature of friendship and fear and age and death. It is about why we believe some things and not others. And it is about how there’s no better response to the inevitability of time and death than to get on with life, laugh and keep laughing and steal joy where you can. I fully recognize that this book might not resonate with everyone the way it did with me, but I still highly recommend it.

TL;DR: A fantastic tale of good and evil and a creepy carnival, that shines because of the writing and the mood at least as much as the story.